I enter the museum Cold marble and spiral staircases I stand in line, silently And hand my ticket to a young woman wearing a white T-shirt with red lettering that says Always Never I have come to see the things you cannot see Someone decided what was acceptable and unacceptable An exhibit of political prisoners With their faces blocked Disasters of war Capitalist mascots hanging On crucifixes Questions of ownership and love Sex and reproduction Sweat forms on my brow Will they defile my thoughts Provoke awareness Open my mind Show me reality Or possibility or nothing at all I walk up the steps of the library Past the lions Into the echoing foyer Anticipation in my breath Where are books I cannot read Someone has decided for me If they are acceptable or unacceptable Stories of loss or love Of life through a lens Not my own Of a period in time defined As questionable Will they cause depravity Or teach me to think I remember coming here as a child Sorting through stacks Running my finger over spines Wondering what world I would discover The emptiness on the shelves fills me I walk across campus Cold wind stinging my face I look at the grand buildings The vast lawns covered with snow What discoveries were sparked here By wandering minds And time and space and freedom Computing and AI and food safety Music and dance and art That cannot be shown I put my hand in my pocket And feel a piece of crumpled paper Here is my list Of what is acceptable and unacceptable I can decide for myself But I am careful on the icy sidewalk
Author’s Note: Today I learned of The Museum of Prohibited Art in Barcelona and wrote this poem.
Here is their manifesto and the link to their site:
The Museu de l’Art Prohibit collection brings together over 200 artworks that have been censored, prohibited or denounced due to political, social or religious reasons. The collection comprises a diverse range of artworks, including paintings, sculptures, engravings, photographs, installations and audiovisual pieces, largely created during the second half of the 20th century and throughout the 21st century. They collectively represent numerous cases that have often transcended into mainstream media and social networks.
Among the collection are works by internationally acclaimed artists such as Ai Weiwei, Robert Mapplethorpe and Tania Bruguera. It also includes iconic pieces from the history of contemporary art, such as León Ferrari’s Western and Christian Civilization and Andrés Serrano’s Piss Christ, both of which have long been at the centre of contentious debates. Additionally, it includes creations by figures like Pablo Picasso, Francisco de Goya and Gustav Klimt—artists who haven’t been immune to acts of censorship. Collectively, the numerous works that comprise this collection traverse a timeline stretching from the Enlightenment period to the neoliberal societies of today, spanning from the 18th to the 21st century.
The collection was initiated by journalist and entrepreneur Tatxo Benet, (Lleida, 1957), with the artwork Presos Políticos en la España Contemporánea (Political Prisoners in Contemporary Spain) by Santiago Sierra. This piece was removed from ARCO in 2018 and is currently on loan to the Museum of Lleida, where it is available for public viewing. Since then, Tatxo Benet has continuously expanded and strengthened the collection, ensuring its accessibility to visitors. As a founding member of the audiovisual group Mediapro, Tatxo Benet is also the driving force behind various cultural projects, including the Ona bookshop on Pau Claris and the Suma Llibres publishing group.
https://www.museuartprohibit.org/en/museum/collection
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Your icy sidewalk metaphor made me think about how we need to help others during these times by metaphorically holding their hands, preventing and clearing ice from our sidewalks, and more.
Sent this to our friend who lives in Barcelona. If he hasn’t already I’m sure he’ll want to go there!